My Garden Story
Welcome to "My Garden Story" by Jane Allen
A passionate self-taught gardener living in the Southern Highlands of NSW. Join her for tips and inspiration to help you cultivate and grow a thriving garden!
Article 3 - Looking out




As I said in an earlier article, I wanted to look out of every room in the house into the garden and see something lovely. There were two other things I thought I’d strive for; to plant a tree for every year I lived here, and to have something in flower every day of the year. The trees I managed, until the Great Wet when I lost six of them and I’m still trying to catch up, but the plantings took many years of trial and error to achieve. I’ll deal with these later.
The north-facing aspect where the sun rises in my bedroom window, and the kitchen, where the sun streams in for most of the day contains a table crammed with orchids and catalogues, where I spend most time. It gives on to a terrace. When I first moved in this was covered in faded black and white tiles and hemmed in by a white plastic fence which was in danger of falling over. With a little help it did, and we set about remaking it. The tiles went and were replaced with medium sized terracotta. Two sets of three sandstone steps led down to the lawn There was no fence. I fancied a couple of extras so I asked Peter the builder if I could have an adobe fireplace in one corner. like the ones in Georgia O’Keefe’s house in New Mexico. I didn’t know if he had ever heard of Georgia O’Keefe, but felt certain he’d look her up.
What do you want an outside fireplace for? Asked my son.
To barbecue, I said
But you’ve’ never barbecued in your life Mum.
He was right of course, I hadn’t, but it was an idea.
Next, I suggested a perspex roof so we could sit in the sun in winter.
No, chorused the architect and son. Why not? Because said the architect patiently, it would be so hot in the summer you wouldn’t be able to go out there. What about Sue and Peter’s Conservatory, I said, they live there summer and winter. It’s totally glassed in. Yes, said Mark, and it’s in Buckinghamshire and, if you remember, Peter has to get a man every month with a long-handled broom and hose to come and clean off the bird shit. He was right again. In the end I got a pergola across the width of the terrace which foams with white wisteria in the spring. There are big tubs of camellias and gardenias, a climbing rose up one pillar, seasonal pots of tulips, a garden bench for potting up things, and in the corner nearest the house, a small flower bed with some dahlias, a couple of roses, a big red geranium, sprawling thyme and a ten year old sorrel, next to zucchini the most boring vegetable on the planet. Right in the corner is a big terracotta pot with a small olive tree – so I got my olives, but only one. The builders made me a table and benches out of leftover floorboards, and for the first few summers we ate here by candlelight. As the foliage around the perimeter increased the mosquitoes became a real nuisance, so we retreated indoors and now the table and benches support half a dozen hostas elevated well away from the snails. In the beds bordering two sides of the terrace, at one set of steps a pair of osmanthus fragrans whose scent drifts on the air from almost invisible flowers, three lilacs interspersed with two daphne, and a red carpet rose on the corner.
From my bedroom window in the early morning, I can see two huge gum trees and an old oak. And the sky with clouds, glorious sunrises and thick fog. As that is the only time I linger in the room that’s enough. Moving round the house, the bathroom faces west where the architect gave me a floor to ceiling glass window in the shower, the bottom half frosted for modesty, but the top is plain and looks directly at my favourite tree peony Gaugin and a couple of roses and beyond to a hedge of fairy magnolias. The next room to face west is the guest room. This is a calm, quiet room, it has carpet and curtains and non-threatening landscape paintings. (The rest of the house has hard floors of timber and marble, blinds and modern art, not to everyone’s taste – but this is not about the house.) This room has big glass doors onto a sandstone paved courtyard with a birdbath carved to resemble two gingko leaves. It sits in a small bed with blue geranium Rozanne round the base, some Alchemilla mollis and double white Echinacea, also half hidden thyme, and overlooked by a large echium whose blue spires positively sing again the terra cotta wall. Beyond the birdbath a set of stone steps lead to a curved path to the lawn. At the top of the steps, on one side is an ancient crab-apple, opposite is a lemon verbena. The path is edged with hellebores, Solomon’s seal, iris and a not very successful gaura. The lawn slopes up to the big new garden bed, beyond which a huge wedding day rose rambles over the post and rail fence and beyond that are three ornamental cherries in the council strip of verge. And sunsets. Occasionally a new moon when I remember to look. It is the best garden view and I every morning I stand in this room and look out, I can tell from the water level in the birdbath if it has rained overnight. Next time, the front courtyard seen from both the dining and sitting rooms.